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Accueil du site > Equipes de recherche > Equipe CAP (B.Tillmann) > Barbara TILLMANN


Publications 1996 à 2010

par Barbara Tillmann - 1er mars 2014


Tillmann, B. & Bigand, E. (2010).  Musical structure processing after repeated listening : Schematic expectations resist veridical expectations.  Musicae Scientiae, 33-47.

Lebrun-Guillaud, G. & Tillmann, B. (in press).  Integration of pitch and time in the memory of chord sequences.  Current Psychology of Cognition, 23, 271-294.

Hoch, L. & Tillmann, B. (2010).  Laterality effects for musical structure processing : a dichotic listening study.  Neuropsychology, 24, 661-666.

Devergie, A., Grimault, N., Tillmann, B. & Berthomier, F. (2010).  Effect of Rhythmic Attention on the Segregation of Interleaved Melodies,  JASA Express letters. J. Acoust. Soc. Am. 128, EL1-EL7

Filipic, S., Tillmann, B. & Bigand, E., (2010).  Judging familiarity and emotion from very brief musical excerpts.  Psychonomic Bulletin & Review, 17, 335-341.

Tillmann, B. & Poulin-Charronnat, B. (2010).  Auditory expectations for newly acquired structures.  Quarterly Journal of Experimental Psychology, 63, 1646-1664.

Tillmann, B., Jolicœur, P., Ishihara, M., Gosselin, N., Bertrand, O., Rossetti, Y., & Peretz, I. (2010).  The Amusic Brain : Lost in Music, But Not in Space.  PLosOne. 5 (4), e10173.

Perruchet, P. & Tillmann, B. (2010).  Exploiting multiple sources of information in learning an artificial language : Human data and modelling.  Cognitive Science, 34, 255-285.

Marmel, F., Tillmann, B., Delbé, C. (2010).  Priming in melody perception : tracking down the strength of cognitive expectations.  Journal of Experimental Psychology : Human Perception & Performance, 36(4), 1016-1028.


Daltrozzo, J., Tillmann, B. Platel, H. & Schoen, D. (2009).  Temporal aspects of the feeling of familiarity for music and the emergence of conceptual processing.  Journal of Cognitive Neuroscience, 21, 1882-1892.

Tillmann, B., Schulze, K. & Foxton, J. (2009).  Congenital amusia : A short-term memory deficit for nonverbal, but not verbal sounds.   Brain & Cognition, 71, 259-264.

Opacic T, Stevens K, Tillmann B. (2009).  Unspoken Knowledge : Implicit Learning of Structured Human Dance Movement.  Journal of Experimental Psychology : Learming, Memory & Cognition, 35, 1570-7.

Marmel, F. & Tillmann, B. (2009).  Tonal priming beyond tonics.  Music Perception, 26, 211-221.

Nguyen S, Tillmann B, Gosselin N, Peretz I. (2009).  Tonal Language Processing in Congenital Amusia.  Ann N Y Acad Sci., 1169, 490-493.

Peretz I, Gosselin N, Belin P, Zatorre R, Plailly J Tillmann B. (2009).  Musical lexical networks : The cortical organization of music recognition.  Ann N Y Acad Sci., 1169, 256-265.

Tillmann B. (2009).  Part IV Introduction : Musical memory : Music is memory  Ann N Y Acad Sci., 1169, 214-215.


Marmel, F., Tillmann, B. & Dowling, W.J. (2008).  Tonal expectations influence pitch perception  Perception & Psychophysics, 70, 841-852.

Tillmann, B., Janata, P., Birk, J. & Bharucha, J.J. (2008).  Tonal centers and expectancy : facilitation or inhibition of chords at the top of the harmonic hierarchy ?  Journal of Experimental Psychology : Human Perception & Performance. 34, 1031-1043.

Camos, V. & Tillmann, B. (2008).  Enumeration of Sequentially Presented Auditory and Visual Stimuli.  Cognition. 107, 1135-1143

Escoffier, N. & Tillmann, B. (2008).  The tonal function of a task-irrelevant chord modulates speed of visual processing.  Cognition. 107 (3), 1070-1083

Peretz, I., Gosselin, N., Tillmann, B., Cuddy, L., Trimmer, C., Paquette, S. & Bochard, B. (2008).  Online identification of congenital amusia.  Music Perception. 25, 331-343.

Lebrun-Guillaud, G., Tillmann, B. & Justus, T. (2008).  Perception of tonal and temporal structures in chord sequences by patients with cerebellar damage.  Music Perception, 25, 271-283.

Tillmann, B., Justus, T. & Bigand, E. (2008).  Cerebellar patients demonstrate preserved implicit knowledge of association strengths in musical sequences.  Brain & Cognition, 66, 161-167


Lebrun-Guillaud, G. & Tillmann, B. (2007).  Influence of a tone’s tonal function on temporal change detection.  Perception & Psychophysics, 69,1450-1459.

Tillmann, B., Peretz, I., Bigand, E. & Gosselin, N. (2007).  Harmonic priming in an amusic patient : The power of implicit tasks.  Cognitive Neuropsychology, 24, 603-622.

Plailly, J., Tillmann, B. & Royet, J.-P. (2007).  The feeling of familiarity of music and odors : The same neural signature ?  Cerebral Cortex. 17 (11), 2650-2658.

Tillmann, B. & Dowling, W.J. (2007).  Memory decreases for prose, but not for poetry.  Memory & Cognition, 35, 628-639.


Bigand, E, Tillmann, B. & Poulin-Charronnat, B. (2006).  A module for syntactic processing in music ?  Trends in Cognitive Science, 10, 195-196.

Tillmann, B., Koelsch, S., Escoffier, N., Bigand, E., Lalitte, P., Friederici, A.D. & vonCramon, D.Y. (2006).  Cognitive priming in sung and instrumental music : Activation of inferior frontal cortex.   NeuroImage, 31, 1771-1782.

Tillmann, B. & Lebrun-Guillaud, G. (2006).  Influence of tonal and temporal expectations on chord processing and on completion judgments of chord sequences.  Psychological Research, 70, 345-358.

Tillmann, B., Bigand, E, Escoffier, N., & Lalitte, P. (2006).  Influence of harmonic context on musical timbre processing.  European Journal of Experimental Psychology, 18, 343-358.


Bigand, E., Tillmann, B., Manderlier, D., & Poulin, B. (2005).  Repetition priming : Is music special ?  Quarterly Journal of Experimental Psychology, 58, 1347-1375.

Tillmann B. (2005).  Implicit investigations of tonal knowledge in nonmusician listeners.  Ann N Y Acad Sci., 2005, 1060 : 100-110.


Tillmann, B., & Bigand, E. (2004).  From local to global structures in music perception.  Journal of Aesthetics and Art Criticism, 62, 2, 211-222.

Tillmann, B. & McAdams, S. (2004).  Implicit Learning of musical timbre sequences : statistical regularities confronted with acoustical (dis)similarities.  Journal of Experimental Psychology : Learning, Memory & Cognition n, 30(5), 1131-1142

Tillmann, B., & Bigand, E. (2004).  Further investigation of harmonic priming in long contexts using musicaltimbre as surface marker.  Perceptual & Motor Skills, 98, 450-458


Janata, P., Birk, J., Tillmann, B. & Bharucha, J. J. (2003).  Online Detection of Tonal Pop-Out in Modulating Contexts.  Music Perception, 20 (3), 283-306.

Tillmann, B., Janata, P., Birk, J. & Bharucha, J.J. (2003).  The costs and benefits of tonal centers for chord processing.  Journal of Experimental Psychology : Human Perception and Performance, 29 (2), 470-482.

Tillmann, B., Janata, P., & Bharucha, J.J. (2003).  Activation of the inferior frontal cortex in musical priming.  Cognitive Brain Research, 16 (2), 145-161.

Bigand, E., Poulain, B., Tillmann, B., & D’Adamo, D. (2003).  Cognitive versus sensory components in harmonic priming effects.  Journal of Experimental Psychology : Human Perception and Performance. 29 (1), 159-171.


Janata, P., Birk, J., Van Horn, J. D., Leman, M. Tillmann, B. & Bharucha, J. J. (2002).  The cortical topography of tonal structures underlying.  Western music. Science, 298, 2167-2170.

Janata, P., Tillmann, B., & Bharucha, J. J. (2002).  Listening to polyphonic music recruits domain-general attention and working memory circuits.   Cognitive, Affective and Behavioral Neuroscience, 2, 121-140.

Tillmann, B., & Bharucha, J. J. (2002).  Effect of harmonic relatedness on the detection of temporal asynchronies.  Perception & Psychophysics, 64, 640-649.

Dowling, W. J., Tillmann, B., & Ayers, D. (2002).  Memory and the experience of hearing music.  Music Perception, 19, 249-276.


Tillmann, B. & Bigand, E. (2001).  Global relatedness effect in normal and scrambled chord sequences.  Journal of Experimental Psychology : Human Perception and Performance, 27, 1185-1196.

Bigand, E., Tillmann, B., Poulin, B., & D’Adamo, D. A. (2001).  The effect of harmonic context on phoneme monitoring in vocal music.  Cognition, 81, B11-B20.


Tillmann, B., Bharucha, J. J., & Bigand, E. (2000).  Implicit learning of music : A Self-Organizing Approach.  Psychological Review, 107, 885-913.


avant 2000 ...

Bigand, E., Madurell, F., Tillmann, B., & Pineau, M. (1999).  Effect of global structure and temporal organization on chord progression.  Journal of Experimental Psychology : Human Perception and Performance, 25, 184-197.

Tillmann, B., Bigand, E., & Pineau, M. (1998).  Effects of global and local contexts on harmonic expectancy.  Music Perception, 16, 99-118.

Tillmann, B. & Bigand, E. (1998).  Influence of global structure on musical target detection and recognition.  International Journal of Psychology, 33, 107-122.

Tillmann, B., Bigand, E., & Madurell, F. (1998).  Influence of global and local structures on the solution of musical puzzles.   Psychological Research, 61, 157-174.

Tillmann, B. & Bigand, E. (1996).  Does formal structure influence perceived musical expressivity ?  Psychology of Music, 24, 3-17.